Lost Hills (Eve Ronin Book 1) Read online

  PRAISE FOR LOST HILLS

  “Lost Hills is Lee Goldberg at his best. Inspired by the real-world grit and glitz of LA County crime, this book takes no prisoners. And neither does Eve Ronin. Take a ride with her and you’ll find yourself with a heroine for the ages. And you’ll be left hoping for more.”

  —Michael Connelly, #1 New York Times bestselling author

  “Thrills and chills! Lost Hills is the perfect combination of action and suspense, not to mention Eve Ronin is one of the best new female characters in ages. You will race through the pages!”

  —Lisa Gardner, #1 New York Times bestselling author

  “Lost Hills is what you get when you polish the police procedural to a shine: a gripping premise, a great twist, fresh spins and knowing winks to the genre conventions, and all the smart, snappy ease of an expert at work.”

  —Tana French, New York Times bestselling author

  “24 karat Goldberg—a top-notch procedural that shines like a true gem.”

  —Craig Johnson, New York Times bestselling author

  “A winner. Packed with procedure, forensics, vivid descriptions, and the right amount of humor. Fervent fans of Connelly and Crais, this is your next read.”

  —Kendra Elliot, Wall Street Journal and Amazon Charts

  bestselling author

  “Brilliant! Eve Ronin rocks! With a baffling and brutal case, tight plotting, and a fascinating look at police procedure, Lost Hills is a stunning start to a new detective series. A must-read for crime fiction fans.”

  —Melinda Leigh, Wall Street Journal and #1 Amazon Charts bestselling author

  “A tense, pacy read from one of America’s greatest crime and thriller writers.”

  —Garry Disher, international bestselling author

  OTHER TITLES BY LEE GOLDBERG

  King City

  The Walk

  Watch Me Die

  McGrave

  Three Ways to Die

  Fast Track

  The Ian Ludlow Series

  True Fiction

  Killer Thriller

  The Fox & O’Hare Series (coauthored with Janet Evanovich)

  Pros & Cons (novella)

  The Shell Game (novella)

  The Heist

  The Chase

  The Job

  The Scam

  The Pursuit

  The Diagnosis Murder Series

  The Silent Partner

  The Death Merchant

  The Shooting Script

  The Waking Nightmare

  The Past Tense

  The Dead Letter

  The Double Life

  The Last Word

  The Monk Series

  Mr. Monk Goes to the Firehouse

  Mr. Monk Goes to Hawaii

  Mr. Monk and the Blue Flu

  Mr. Monk and the Two Assistants

  Mr. Monk in Outer Space

  Mr. Monk Goes to Germany

  Mr. Monk Is Miserable

  Mr. Monk and the Dirty Cop

  Mr. Monk in Trouble

  Mr. Monk Is Cleaned Out

  Mr. Monk on the Road

  Mr. Monk on the Couch

  Mr. Monk on Patrol

  Mr. Monk Is a Mess

  Mr. Monk Gets Even

  The Charlie Willis Series

  My Gun Has Bullets

  Dead Space

  The Dead Man Series (coauthored with William Rabkin)

  Face of Evil

  Ring of Knives (with James Daniels)

  Hell in Heaven

  The Dead Woman (with David McAfee)

  The Blood Mesa (with James Reasoner)

  Kill Them All (with Harry Shannon)

  The Beast Within (with James Daniels)

  Fire & Ice (with Jude Hardin)

  Carnival of Death (with Bill Crider)

  Freaks Must Die (with Joel Goldman)

  Slaves to Evil (with Lisa Klink)

  The Midnight Special (with Phoef Sutton)

  The Death Match (with Christa Faust)

  The Black Death (with Aric Davis)

  The Killing Floor (with David Tully)

  Colder Than Hell (with Anthony Neil Smith)

  Evil to Burn (with Lisa Klink)

  Streets of Blood (with Barry Napier)

  Crucible of Fire (with Mel Odom)

  The Dark Need (with Stant Litore)

  The Rising Dead (with Stella Green)

  Reborn (with Kate Danley, Phoef Sutton, and Lisa Klink)

  The Jury Series

  Judgment

  Adjourned

  Payback

  Guilty

  Nonfiction

  The Best TV Shows You Never Saw

  Unsold Television Pilots 1955–1989

  Television Fast Forward

  Science Fiction Filmmaking in the 1980s (cowritten with William Rabkin, Randy Lofficier, and Jean-Marc Lofficier)

  The Dreamweavers: Interviews with Fantasy Filmmakers of the 1980s (cowritten with William Rabkin, Randy Lofficier, and Jean-Marc Lofficier)

  Successful Television Writing (cowritten with William Rabkin)

  This is a work of fiction. Names, characters, organizations, places, events, and incidents are either products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

  Text copyright © 2019 by Adventures in Television, Inc.

  All rights reserved.

  No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.

  Published by Thomas & Mercer, Seattle

  www.apub.com

  Amazon, the Amazon logo, and Thomas & Mercer are trademarks of Amazon.com, Inc., or its affiliates.

  ISBN-13: 9781542093804 (hardcover)

  ISBN-10: 1542093805 (hardcover)

  ISBN-13: 9781542091893 (paperback)

  ISBN-10: 1542091896 (paperback)

  Cover design by Shasti O’Leary Soudant

  First edition

  For Valerie and Maddie

  Contents

  CHAPTER ONE

  CHAPTER TWO

  CHAPTER THREE

  CHAPTER FOUR

  CHAPTER FIVE

  CHAPTER SIX

  CHAPTER SEVEN

  CHAPTER EIGHT

  CHAPTER NINE

  CHAPTER TEN

  CHAPTER ELEVEN

  CHAPTER TWELVE

  CHAPTER THIRTEEN

  CHAPTER FOURTEEN

  CHAPTER FIFTEEN

  CHAPTER SIXTEEN

  CHAPTER SEVENTEEN

  CHAPTER EIGHTEEN

  CHAPTER NINETEEN

  CHAPTER TWENTY

  CHAPTER TWENTY-ONE

  CHAPTER TWENTY-TWO

  CHAPTER TWENTY-THREE

  CHAPTER TWENTY-FOUR

  CHAPTER TWENTY-FIVE

  CHAPTER TWENTY-SIX

  CHAPTER TWENTY-SEVEN

  CHAPTER TWENTY-EIGHT

  CHAPTER TWENTY-NINE

  CHAPTER THIRTY

  CHAPTER THIRTY-ONE

  CHAPTER THIRTY-TWO

  CHAPTER THIRTY-THREE

  CHAPTER THIRTY-FOUR

  CHAPTER THIRTY-FIVE

  CHAPTER THIRTY-SIX

  CHAPTER THIRTY-SEVEN

  CHAPTER THIRTY-EIGHT

  CHAPTER THIRTY-NINE

  CHAPTER FORTY

  CHAPTER FORTY-ONE

  CHAPTER FORTY-TWO

  CHAPTER FORTY-THREE

  Author’s Note and Acknowledgments

  About the Author

  CHAPTER ONE

  The northern stretch of Mulholland Highway e
nded in a T intersection with Mulholland Drive. It was an intersection that generated lots of confusion, and not only because of the nearly identical street names. It was also the intersection of two cities, three neighborhoods, two law enforcement jurisdictions, and on this hot, smoggy Thursday afternoon in December, life and death.

  Los Angeles County Sheriff’s Department homicide detectives Eve Ronin and Duncan Pavone headed to that intersection. They were driving east on Mulholland Drive in a plain-wrap Ford Explorer to investigate a possible homicide called in by the LAPD.

  “There’s only one reason the LAPD would call us on a corpse,” Duncan said, sitting in the passenger seat and wiping donut crumbs from his big belly, which he used like an airplane tray table. “To tell us that it’s on our side of the line and not theirs.”

  Jurisdictional disputes were inevitable, given the geography. The sheriff’s department was responsible for law enforcement in Malibu, the Santa Monica Mountains, and the surrounding communities of Westlake Village, Agoura Hills, Hidden Hills, and Calabasas. It was an enforcement area bordered by Ventura County to the west and northwest, the City of Los Angeles to the east and northeast, and Santa Monica Bay to the south. The intersection of Mulholland and Mulholland, on the northern lowlands of the Santa Monica Mountains, was the boundary between the Woodland Hills section of Los Angeles and the City of Calabasas.

  Eve had only been in the Robbery-Homicide Division, and working out of the Lost Hills station in Calabasas, for three months and this was her first encounter with a jurisdictional dispute. She was keenly aware of what she didn’t know and so was everybody else around her.

  “How do you resolve the situation if it isn’t clear-cut?” Eve asked, even though she knew the question would reinforce the low opinion that Duncan and the other detectives already had about her qualifications for the job. But getting the knowledge was more important to her than her image.

  “You piss, moan, and argue that the corpse is on their side or that the crime happened there. You get out a tape measure to prove where the boundary is or who has the bigger dick. You use whatever dirt you have on them, whatever favors they owe you, whatever leverage you’ve got to make them take the body and the aggravation that comes with it,” Duncan said. “But I almost always end up taking the body because I’m a softy.”

  She took her eyes off the road to give him an incredulous look. “You care that much about some LAPD cop having a bad day?”

  “Hell no,” Duncan said. “I do it because the victim deserves a cop who will work the case instead of one who is more intent on figuring out how some poor bastard who got shot four times in the back, and got dumped on the jurisdictional line, can be written off as a suicide.”

  Eve smiled to herself. Maybe she was lucky to get partnered with a guy on his way out who didn’t give a damn anymore. At least he had once, and that counted for something. They made an odd-looking couple. He was old and fat and had a creative comb-over to hide his thinning hair. She was young and slim, her brown hair cut into a practical bob. They could be mistaken for a father and daughter who liked to carry Glocks.

  At the intersection of Mulholland and Mulholland, there were some houses to the north, a two-story office building on the western corner behind a line of pines, and a wooded patch of oaks to the east that ran through the hillside between a private school and a housing tract.

  Eve turned right onto Mulholland Drive, heading southbound, and saw a black-and-white parked behind a pickup truck on the side of the road. An LAPD plain-wrap Crown Vic was parked across the street, facing north. Two detectives leaned against their car, chatting with a uniformed officer. The detectives looked like they’d taken advantage of the “buy one, get one free” sale at Men’s Wearhouse and split the cost to get the off-the-rack suits they were wearing.

  “The two suits are Detectives Frank Knobb and Arnie Prescott, out of Canoga Park,” Duncan said as she parked behind the black-and-white. “Our paths have crossed a few times. Between the two of ’em, they’ve been around as long as I have.”

  Eve appreciated that Duncan didn’t use the opportunity to mention yet again that she wasn’t born when he’d first pinned on his badge.

  Duncan got out, hiked up his pants, waited for a car to pass, then crossed the street to speak to the detectives. Eve went over to check out the truck, which was covered with pine needles. The windshield was spattered with blood from the inside and a body was slumped in the driver’s seat.

  “Hey, Dunkin’ Donuts,” one of the detectives said as Duncan approached them. “How’s it going?”

  “Counting the days, Frank,” Duncan said. “Another hundred and sixty-three and I’m out of here. Have you heard about my new partner, Detective Ronin?”

  The two LAPD detectives looked over at Eve, who was still across the street, studying the truck.

  “Deathfist?” Frank Knobb said. “Sure. She’s a legend.”

  Eve was previously a deputy out in Lancaster and unknown to anybody on the LAPD or anywhere else. But four months ago, while off duty, she witnessed actor Blake Largo, who starred as the invincible action hero Deathfist in a globally successful string of movies, assault a woman in a restaurant parking lot. Eve confronted him, he took a swing at her, and she put him on the ground. She pressed his million-dollar face to the pavement until police arrived. A bystander got it all on video with his phone and uploaded it to YouTube. The video got eleven million hits in less than a week. Now everybody called her Deathfist.

  So she ignored Knobb’s snide remark and focused her attention on the driver of the truck. His head lolled back on the headrest. His throat was slit and the jagged cut gaped open like an obscene, bloody smile. A Rambo knife lay on the passenger seat. She thought it might be a suicide, considering that the knife was right beside him and the largely residential, very safe neighborhood where the victim was found. But if it was suicide, he’d picked an odd place to end his life. The last thing he saw as he bled out was Gelson’s, an upscale supermarket. Then again, Gelson’s was heaven to some people.

  “You’re shitting me,” Arnie Prescott said, studying Eve. “A viral video is all it takes at the sheriff’s department to step up from burglary to homicide?”

  It had more to do with the timing of the video, which came out amid revelations that sheriff’s deputies were beating prisoners at the county jail. The enormous positive PR she got was a welcome distraction from the scandal and encouraged the embattled sheriff to keep her at the top of the news cycle for as long as possible. He did that by showering her with accolades, which included offering her a promotion. What she wanted was a transfer to Robbery-Homicide and she got it, making her the youngest woman ever in the division. The public and the media loved it. The rank and file at the LASD, primarily the 86 percent of them who had testicles, did not.

  “The sheriff’s department doesn’t have the LAPD’s high standards,” Knobb said.

  “No wonder you’re cashing out now,” Prescott said to Duncan.

  Duncan didn’t argue the point. “What’s the story on the dead man?”

  “A jogger spotted the body and called 911,” Knobb said. “The operator called the LAPD. This fine young patrol officer showed up, saw the guy was not merely dead, but most sincerely dead, and brought us in.”

  “What this officer failed to notice in all the excitement was the boulder.” Prescott pointed to the median, where a newly installed boulder sat in a bed of flowers with the words WELCOME TO CALABASAS and a soaring bird decoratively carved on its north face. “And which side of the boulder the truck was parked on.”

  Knobb grinned at Duncan. “Your side.”

  Sure enough, the truck was parked a few feet south of the invisible city limits line conveniently demarcated by the boulder, putting it in Calabasas. Eve looked at the road on the Los Angeles side and her anger flared. She didn’t like being played.

  The uniformed officer shrugged sheepishly. “My bad.”

  “So here you are,” Prescott said.

 
“Lucky us,” Duncan said with a weary sigh.

  “We stuck around to secure the scene as a professional courtesy,” Knobb said.

  “Really?” Eve said. The two LAPD detectives looked at her like a naughty child who’d spoken up while the adults were talking. “Because I thought securing the scene meant making sure it wasn’t disturbed.”

  “It doesn’t look disturbed to me,” Knobb said.

  “The truck is covered with pine needles,” Eve said. “It obviously spent the night parked under a pine tree, which is odd, since the nearest one is down at the corner in Los Angeles.”

  Prescott snorted. “You ever heard of wind?”

  She stared at the detectives, not bothering to hide the disgust on her face. “So why aren’t there any pine needles on the sidewalk or the street around the truck?”

  The two detectives maintained eye contact with her but the uniformed officer looked away. Duncan shook his head at the two remorseless detectives.

  “It’s your case and as a professional courtesy we’re not going to tell anybody about this little stunt.” Duncan hiked up his pants and shifted his attention to the officer. “But I want you to think about something, son. If forensic issues end up torpedoing their case, do you think these two will have your back or make you the fall guy? I’d protect my ass if I were you.”

  Duncan walked back across the street and gestured to Eve to follow him back to the car. Eve got into the driver’s seat, started up the car, made a U-turn around the median and then a right back onto Mulholland Drive, heading east.

  Eve assumed the detectives had pulled rank and ordered the officer to push the truck over the line. The officer’s patrol car had welded steel bars on the front bumper that would enable him to move the truck without damaging his own vehicle.

  “Who were they trying to screw by moving the body over the line into Calabasas?” Eve asked. “You or me?”

  “Let me give you some advice. I know you’re used to being the center of attention, but when shit happens to you, it isn’t always personal.”

  “What’s that supposed to mean? They intended to screw us.”

  “No, not us. All Knobb and Prescott knew was that two LASD detectives were going to show up. They didn’t know it was going to be the hotshot who didn’t deserve her promotion and the old fat ass on his way out the door.”

  She nodded. “So they’re just lazy assholes.”